kingcitywitch:

inlikewithlife:

chaotic-awesome:

I Don’t Know How Much Vodka I Put In This But I’m Going To Drink It Anyways: a memoir

This drink tastes awful, but I can’t waste alcohol: a sequel

I’m going to get a bigger glass and add more mixer and have way too much to drink: The Thrilling Conclusion

But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
Zoom Info
But when I was about 12, I was working on The Horse Whisperer. I’d made probably five or six movies at that point. I was doing a lot of really emotional work - but I remember finding that place of realizing, “Oh, wait, I can manipulate this thing that I’m doing.” I could start to see the colors of the scenes and to understand the nuances of what went into giving a performance. It was this realization that acting was more than just this natural thing—that it was something that you could craft.
There is nothing to writing. All you do is sit down at a typewriter and bleed

Happy birthday Ernest Hemingway, b. on this day in 1899 (via penamerican)

kinginthewest:

it’s just like, why are there cat emojis for loads of emotions as well as normal humans emojis

image

like, when do i need to express these emotions… but as a cat